Brace yourself...it's time for a tale of platform boots, perverted uncles and pinball….teens, beans and Acid Queens.
Ladies and gentlemen, the Stinking Pause podcast is proud to present some very mixed opinions on Ken Russell's vision of the classic rock opera, Tommy.
Nora Walker is told that her British fighter-pilot husband is missing in action and presumed killed in World War II. On V.E. Day, Nora gives birth to their son and names him Tommy. When Tommy is an adolescent, Nora marries shifty camp-counsellor Frank; shortly thereafter, Tommy suffers an emotionally traumatic experience associated with his father and stepfather which, based on things told to him at that time, results in him becoming deaf, mute, and blind, and several people exploit this situation for their own pleasure. As Nora tries several things to bring Tommy out of his psychosomatic disabilities, he, now a young man, discovers pinball. Playing by intuition he becomes a pinball master, which makes him--and Nora and Frank by association--rich and famous. Nora literally shatters Tommy to his awakening, which ultimately leads to both the family's rise and downfall as people initially try to emulate Tommy's path then rebel against it.
“I often wonder what he is feeling! Has he ever heard a word I've said? Look at him in the mirror dreaming! What is happening in his head?."
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Thanks for listening
Scott, Paul and Charlie
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